Table of Contents
FROM THE SFRA REVIEW
Winter 2022 (From the Editor) • Ian Campbell
The SFRA Review’s Transition to Partial Peer Review • The Editorial Collective
Become a Reviewer! Nonfiction, Fiction and Media Available for Review
FROM THE SFRA EXECUTIVE COMMITTEE
From the President • Gerry Canavan
From the Vice President • Ida Yoshinaga
FEATURES
The SF in Translation Universe #14 • Rachel Cordasco
Call for Papers: Sexual Violence and Science Fiction • Adam McLain
FICTION
Call for Applications: Fiction Editor
“The Last Issue of Interplanetary Asteroid Mining Meta-Journal” • Mario Daniel Martín
ON THE EDGE: THE FANTASTIC IN HUNGARIAN LITERATURE AND CULTURE (Part One)
The Austro-Hungarian Melting Pot: The Mythopoetics of Borgovia in The Incredible Adventures of Van Helsing • Péter Kristóf Makai
Hungarian Rhapsodies: A Survey of the Alternate Histories of an Isolated Literary Corpus • Ádám Gerencsér
Undead Culture in the East: The Hungarian Vampire Negotiating the National Past in Comrade Drakulich • Ildikó Limpár
Lemon Juicers in Space: The Adventures of Pirx (1972–1973) • Daniel Panka
Star Girl on the Time Train: Children’s Science Fiction by Hungarian Women Authors in the Kádár Era (1956-1989) • Bogi Takács
Copper, Silver and Gold: Metal Woods Set to a New Purpose in Hungarian Folk Fantasy • Mónika Rusvai
Interview with Bogi Takács • Vera Benczik and Beata Gubacsi
Interview with Theodora Goss • Vera Benczik and Beata Gubacsi
SELECTED PAPERS FROM LSFRC 2021
Living Beyond Stonelore: Suturing towards Multi-epistemic Literacy in N.K. Jemisin’s The Broken Earth • Danny Steur
Crips Claim Space: Disabled Writers Resist Eugenicist Ideology Through Science Fiction • Laura Alison Nash
Controlled (Post)Human Bodies in Minister Faust’s War & Mir, Volume I: Ascension • Zita Hüsing
My Body, My Data: Orwell, Social Media, and #MeToo • Adam McLain
Dystopias in the Trump Era: Anti/Immigration and Resistance in CALEXIT • Anna Marta Marini
Teaching Law and Science Fiction at the University of Mississippi • Ellie Campbell and Antonia Eliason
Greg Sarris’s How a Mountain Was Made: Stories as a Transformative Indigenous Futurism • Arwen Spicer
Politics of the Margins in Octavia Butler’s Kindred: Queerness, Disability, Race • Marietta Kosma
Configuring the Caribbean through sf • Jarrel De Matas
Dissolving the Individual: Collective Consciousness as a Rebellion Against Neoliberalism in Tade Thompson’s Rosewater and Chana Porter’s The Seep • Jonathan Thornton
“So we can walk forward with knowledge of who we were before”: Landscape, History and Resistance in Sarah Maria Griffin’s Spare and Found Parts • Gabriely Pinto
Exoplanets as Sites of Rebellion • Emma Johanna Puranen
When was Celtic Futurism? The Irish Immrama as Proto-Science-Fiction • Chris Loughlin
The Hero Doesn’t Need a Face and We Don’t Need a Hero: 3%, Social Justice, and the Shared Protagonism of Brazilian Science Fiction • Thais Lassali
Bricoleurs in SF: Making Do Beyond the Walls of Utopia • Dave Hubble
NONFICTION REVIEWS
Review of Tolkien’s Cosmology: Divine Being and Middle-earth • Adam McLain
Review of The Routledge Companion to Cyberpunk Culture • Michael Pitts
Review of Cyberpunk and Visual Culture • Kerry Dodd
Review of Dread Trident: Tabletop Role-Playing Games and the Modern Fantastic • Clare Wall
Review of Posthuman Biopolitics: The Science Fiction of Joan Slonczewski • Bruce Lindsley Rockwood
Review of The Shape of Fantasy: Investigating the Structure of American Heroic Epic Fantasy • James Gifford
Review of The Monster Theory Reader • Lars Schmeink
Review of The Metabolist Imagination: Visions of the City in Postwar Japanese Architecture and Science Fiction • Baryon Tensor Posadas
Review of Unstable Masks: Whiteness and American Superhero Comics • Kristin Noone
Review of Hidden Wyndham: Life, Love, Letters • Dennis Wilson Wise
FICTION REVIEWS
Review of Fauna • Susanne Roesner
MEDIA REVIEWS
Review of WandaVision • Jeremy Brett
Review of The Last of Us Part II • Steven Holmes
Review of Free Guy • Jess Flarity
Review of Star Wars: The Clone Wars, season 7 • Adam McLain
Review of Dune (Part One) • Ian Campbell
SFRA Review 