From the SFRA Review
Editor, SFRA Review
During the last few weeks, I’ve experienced William Gibson’s unevenly-distributed future. My wife was in a motorcycle accident last month, and as of a few days ago now has a knee supplemented with metal and polymer parts and ligaments from a cadaver. My father, who at 93 was still running on a treadmill up until quite recently, experienced tremendous pain from sciatica and is now re-learning how to walk: the surgery that inserted artificial spacers between his lumbar vertebrae and metal rods to hold them together has temporarily confused his spinal cord. My daughter and I are now the only family members who aren’t cyborgs, though both of us wonder how long that will last.
In this issue of the SFRA Review, we present to you at least three distinctly different versions of that future. First, we have a new Fiction section, inaugurated by the Chinese writer Tang Fei: we will be henceforth accepting fiction submissions, as delimited by the call for submissions at the beginning of the new section. We also have two symposia addressing the future. The first, Sinofuturisms, gives perspectives on the past, present and future of the rapidly-growing discourse around Chinese SF. Our other symposium consists of selected papers from the “Living in the End Times” conference, which detail a rich variety of takes on the slow-motion apocalypse many of us have found ourselves in: SF enables us to examine and critique the causes of and responses to the changes presented to us by the Anthropocene. We also have, in addition to the usual panoply of reviews, a call for papers relating to Indigenous SF, which will be one of the primary subjects of our November 2021 issue.
Finally, we bid farewell to one of our Associate Editors, Amandine Faucheux, whose competence and collegiality will be greatly missed. Please pass to your friends and colleagues our call for a new Associate Editor.