Mary Kay Bray Award 2019



Mary Kay Bray Award 2019

Erin Horáková and Rich Horton
Awardees


The Mary Kay Bray Award is given for the best essay, interview, or extended review to appear in the SFRA Review in a given year.

This year’s awardees are Erin Horáková and Rich Horton for their essays “Trekonomics” and “Gene Wolfe,” respectively, both from issue #327.


Committee Statement

Katherine Bishop (chair), Agnieszka Kotwasińska, Jessica FitzPatrick

The Mary Kay Bray Award is given to any interview, essay, or extended review published in the SFRA Review in 2019. We chose from fiction, non-fiction, and media reviews as well as Feature pieces, roundtable submissions, and SF Retrospectives. Given the increasingly wide range of items featured in the Review, we agreed that awarding just one piece would be unfair.Therefore, we chose two winners of merit, ex æquo, in alphabetical order:

Erin Horáková, “Trekonomics,” SFRA Review, no. 327, pp. 69-71.

Horáková employs an engaging and distinct voice as well as very clear organization in this lovely-in-execution negative review. She is respectful, but not overindulgent of, the reviewed text. Attending to matters of race, global economics, and cultural production while drawing upon her wide-ranging acumen to comment upon the matter at hand, Horáková fearlessly takes the author of Trekonomics to task with humor and sensitivity in a review that feels refreshingly honest, bold, bright, and necessary.

Rich Horton, “Gene Wolfe,” SFRA Review, no. 328, pp. 5-7.

The best thing an obituary can do is to bring a glimmer of the deceased back into the world. Horton does this. He celebrates Gene Wolfe’s life without venerating him, deftly reminding the audience of Wolfe’s humor, brilliance, and humanity. Along the way, he adds colorful details such as Wolfe’s part in making Pringles and an anecdote about finding the author paused in humble gratitude in front of his book on a shelf in a mall bookstore.

Thank you to all who contributed to the SFRA Review over the year! Your scholarship is greatly appreciated. 


Awardee Statements

Erin Horáková
University of Glasgow / Scotland

Thank you to Sean Guynes for telling me to write the review for which I’m being recognized rather than simply stew in annoyance on a locked Twitter account for an improbable amount of time, like a boeuf bourguignon of regret. Thanks also to the award committee and to SFRA.

Rich Horton
Science Fiction Critic / USA

I cannot readily express the surprise and joy I felt to learn that I had been awarded the 2020 Mary Kay Bray Award. I am humbled to share this award with Erin Horáková, whose essay “Treknomics” is something I can only admire. I wish I could be standing in front of all of you to say this—and I am sure that, leaving aside any consideration of the value of what I might say, all my readers wish that it had been possible for any of us to go to conventions in July!

Finally, on rereading my piece on Gene Wolfe, I realize that the man I really must thank is Gene himself. I feel this way any time someone thanks me for a review of their work—all thanks are due to the writer who inspired me to write a nice review. And doubly, triply, infinitely are thanks due to Gene Wolfe. His writing inspired me to believe that there was value in writing about this science fiction that I love so much. Without writers like Wolfe (and Le Guin, and others) I would not have this avocation—criticism—that is so enjoyable. Do I think my award-winning essay is good? Yes, I do, I admit. But it is good because of its subject—it is good because I had such wonderful work to write about, from a writer who was a model for any writer. I hope only that what I have written might lead to those who loved Gene’s work remembering it the more after his death; and to those who haven’t discovered him yet to discover him now.

In close, I’ll quote the closing words of Gene’s great story “Forlesen” once more, changed a bit: “I want to know if it’s meant anything . . . if it’s been worth it? ‘Yes. Yes. Yes. Yes. Yes. Yes.’”

Review of Rabitch, et al.’s Set Phasers to Teach!



Review of Set Phasers to Teach! Star Trek in Research and Teaching edited by Stefan Rabitsch, Martin Gabriel, Wilfried Elmenreich, and John N.A. Brown

Bruce Lindsley Rockwood

Stefan Rabitsch, Martin Gabriel, Wilfried Elmenreich, and John N.A. Brown, editors. Set Phasers to Teach! Star Trek in Research and Teaching. Springer, 2018. Paperback, 236 pages, $39.99. ISBN 9783319737751.


The four co-editors of Set Phasers to Teach include three Austrian academics specializing in American Studies, History, and Computer Science, respectively, and one independent scholar and consultant (John N. A. Brown) specializing in UX (User) Research. All appear to be enthusiastic supporters of the feedback between Star Trek in all its iterations and the scientific and academic communities. This enthusiasm is reflected in the heading of their Preface: “‘Engage!’ Science Fiction and Science Inspire Each Other and Move Society Forward” (ix). Their fifteen contributors lay out in fifteen distinct and concise essays the variety of ways in which specific episodes, events and characters, and the overall themes and trajectory of the franchise facilitate this positive feedback loop.

The format and layout for each essay in the book includes original illustrative cartoons highlighting the theme of each essay, an abstract with keywords, a brief “Editors Log” summarizing the thesis of the essay, and illustrative quotations from specific episodes of one or more Star Trek episodes. Essays are broken down with informative subtitles, and contain Works Cited (Endnotes) and sometimes additional Recommended Readings and in-text footnotes. 

The appendices are comprehensive lists of every Star Trek episode (through Discovery, Season 1) and film, listing them by Season, Episode, Title, Stardate, Director, Credited Writers, and Original air date, all derived from Wikipedia and the Memory Alpha Wiki. This information will enable a reader interested in following up specific themes and episodes mentioned in the essays to track them down and facilitate streaming them (or excerpts) for use in teaching and research.

The editors and authors make good use of available primary sources (the episodes and films) as well as commentary by contributors to their creation, and scientists, astronauts, and others who have commented upon the influence of Star Trek on their own lives and work. The emphasis is on the power of narrative to, as they quote Gene Rodenberry remarking in the Introduction to Star Trek: The Next Generation Technical Manual, “show humans as we really are. We are capable of extraordinary things” (xi).

The essays cover a wide range of topics, including using Star Trek to teach literature by highlighting its frequent uses of and references to classical literature, and the ways episodes can be used to bring out themes such as self-sacrifice, revenge, and pride (Elizabeth B. Hardy, at 9). Erin K. Horáková provides an illuminating essay and critique of how the series engages “with Post-war American Jewish Identity” (13-27). Stefan Rabitsch explores the role of the original series in translating American culture to tell “modern morality plays” in the historical period of the Cold War when America was replacing Britain in a “benevolent” role as “protector and defender of the western world” (29-43). He notes, “Even though the original run ended in 1969, the Star Trek formula was such that it could easily be adapted to changing contexts by virtue of the frontier’s inherent metaphorical characteristics while supported by a stable utopian world of scientific progress and discovery” (39).

“How to Name a Starship: Starfleet between Anglo-American Bias and the Ideals of Humanism,” by Martin Gabriel (43-50), argues that the dominance of Anglophone names of Starships “shows us that the ethnocentric traditions of the twentieth century, maybe even an imperialist approach to cultural history, were vivid throughout the production of the franchise” (49). 

“The Computer of the Twenty-Third Century: Real-World HCI Based on Star Trek,” by Gerhard Leitner and John N. A. Brown (51- 61), explores how the Human-Computer Interface (HCI) was portrayed in the original series, how it inspired further developments, and what remains to be done to address reliability, security and privacy concerns, and ease of use, concluding “despite the many examples of advanced HCI that already exist in the home, we are still very far from the twenty-third century. . . That said, one of the next steps has already been taken. It is now possible to have reliable and secure voice-based interaction that seems natural and intuitive to the user, provided designers and developers are willing to take the time needed to build it” (60). In the context of the challenge to aircraft safety posed by the recent crashes of the Boeing 737 Max attributed at least in part to software updates, loss of pilot control over aircraft computer systems, and training failures, this essay is a particularly interesting contribution to the collection.

Other essays explore the energy system that propels the Enterprise and other Starships, comparing the required power to the available power on Earth itself (63-70); the relationship of Starfleet to pre-modern societies and the role of the prime directive (71-81); and the way Star Trek has inspired innovations in science and technology, citing the 2017 Qualcomm Tricorder XPrize and the close relationship of the franchise to NASA (83-93). Carey Millsap-Spears presents an exploration of the use of Star Trek in teaching rhetoric and process writing while addressing the concerns and issues facing the LGBTQ+ Community in the context of a college composition course, developing research and critical thinking skills (95-105).

Additional essays address “Using the Borg to Teach Collective Computing Systems” (107-115); “Telepathic Pathology in Star Trek” (117-124); and an intriguing proposal for a better designed Video Game based on Star Trek after an assessment and critique of the games previously released since 2000 (125-135). Vivian Fumiko Chin presents a thorough review of the critical literature and interesting discussion of “Cognitive Science and Ways of Thinking About Narrative, Theory of Mind, and Difference” that explores the use of examples from Star Trek to introduce students to these concepts and ways of thinking about empathy and respect for difference, using Spock’s mind meld with the Horta in the original series (TOS) episode “The Devil in the Dark” as one example (1371-47).

In “La Forge’s VISOR and the Pictures in Our Heads,” Nathaniel Bassett gives a review of the critical literature and an explanation of the role of media studies and how socio-technical systems help mediate our experiences (149-160). In a concluding essay, John N. A. Brown discusses anthropology-based computing (ABC), cognitive bias, and the use of Star Trek to teach about scientific thinking (161-172). He observes, “A scientific thinker separates their personal perception of their own self-worth from their faith in what they think they know. They do this by assuming they are wrong and asking others to check their work. . . And that is the purpose of teamwork in Star Trek: using many minds to improve ideas. In this way they show us how to seek new facts and new information; to boldly disprove ideas that everyone has believed before” (171).

Together these essays make an entertaining and rewarding overview of the many ways one can employ Star Trek in teaching and research. They can be deployed at all levels of education, regardless of discipline or areas of expertise. The book is printed on acid free paper, is well designed, and presents its materials in a manner accessible to a general reader while giving guidance for further research to faculty and students alike. It deserves to be widely read.

One omission from my perspective is any discussion of the use of Star Trek in teaching about legal issues, which has been explored on a number of occasions, e.g., Paul Joseph and Sharon Carton, “The Law of the Federation: Images of Law, Lawyers and the Legal System in Star Trek: The Next Generation,” 24 U. Tol. L. Rev, 43 (1992); Michael P. Schartf and Lawrence D. Roberts, “The Interstellar Relations of the Federation: International Law and ‘Star Trek: The Next Generation,'” 25 U. Tol. L. Rev. 577 (1994); “Law, Literature and Science Fiction: A Symposium,” Bruce L. Rockwood, editor, 13 Legal Studies Forum 267 (1999). Perhaps the editors will bear this in mind if they pursue a follow-up collection, since the subject will continue to attract fans and scholars alike.