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The SF in Translation Universe #7

Features / SFT Universe

The SF in Translation Universe #7

Rachel Cordasco

Welcome back to the SF in Translation Universe! The first third of 2020 is shaping up very nicely, with some sequels, new translations, and exciting collections.

You’ve probably heard by now about the ongoing translation of Jin Yong’s incredibly popular Legends of the Condor Heroes series, which is bringing wuxia (Chinese martial arts fantasy) to a broader audience. A ton of translated wuxia is available on the internet already, and hopefully Anna Holmwood and Gigi Chang’s translations will encourage readers to seek out more wuxia online. January brings us Anglophone readers the third book in Jin Yong’s series—A Snake Lies Waiting—in which the brave and noble Guo Jing has walked into a trap (blinded by his love for Lotus Huang) and must fight for his own survival and his people’s freedom.

If you’re looking for German dystopian satire, look no further than Marc-Uwe Kling’s QualityLand (tr Jamie Searle Romanelli). Here Kling sends up 21st-century consumer-driven technology-obsessed capitalism by taking such innovations as driverless cars, wireless-adapted glasses, and a gargantuan online store (TheShop) to their extremes. As this novel argues, the seemingly simple task of returning, for example, a pink, dolphin-shaped vibrator delivered to you in error is far more complicated than you might think.

Interested in a wartime love story set in 1990s Turkey and told from the perspective of a dog? Then Kemal Varol’s Wûf (tr Dayla Rogers) is for you. Here a street dog named Mikasa, who is forced to work as a minesweeper for the Turkish army, tells his tale to other dogs at a kennel, where he finds companionship and even cigarettes. Inviting readers to look at war and brutality from a new perspective, Wûf is a unique book from an underrepresented source language.

But perhaps you’re looking for a novel that plays with your mind even as it plays with language and your sense of reality. No, I’m not talking about a Zivkovic story, but Peter Stamm’s The Sweet Indifference of the World (tr Michael Hofmann). When Lena and Christoph, two complete strangers, meet up in a Stockholm cemetery, they realize that, twenty years before, they each fell in love with the other’s double. Is Christoph’s novel (which grew out of his breakup with Magdalena) somehow influencing his new relationship with Lena? Or has he begun to confuse reality and fantasy?

If you think January sounds intriguing, just wait until February. We’re getting Russian, Spanish German, and Indonesian SFT then, including a new translation of an older title by the Strugatskys. Originally brought into English as Prisoners of Power in 1977 (based on a heavily censored version thanks to the Soviet authorities), The Inhabited Island (as it’s now called) is the story of Maxim Kammerer, an explorer from the 22^nd century, who crashes on a war-torn world and is drawn into its inhabitants’ terrifying reality. The first of the Kammerer subsection of Noon universe books, this book portrays a civilization that is technologically advanced (they have atomic bombs) but socially oppressive.

Also translated from the Russian is a new psychological fantasy thriller from Marina and Sergei Dyachenko called Daughter From the Dark (tr Julia Meitov Hersey). You’ve probably been hearing about their previous brain-bending, haunting book—Vita Nostra (also translated by Hersey)–that fully deserves all the praise it has been given. Daughter from the Dark (which I am just 40 pages shy of finishing) asks us to imagine the consequences of stepping out of our comfort zone and doing a single good deed (like giving a seemingly lost little girl shelter and protection). How might it completely change a person’s life, and oh yeah, what if that little girl was actually a creature from another plane of existence and your life just became a billion times more complicated? And is her little teddy bear actually a blood-thirsty beast that kills whenever the girl is threatened? Mmmmmaybe.

From Ray Loriga comes a dystopian story about authoritarianism and the disappearance of privacy. Surrender (tr Carolina de Robertis) tells of the nightmarish reality that war can create, where children disappear and entire communities are forced to move to “transparent cities,” in which transparency is a literal mandate and all necessities are provided so long as the inhabitants “behave.”

We get even more German SFT in February, this time in the form of an epic fantasy by Bernd Perplies called Black Leviathan (tr Lucy Van Cleef). In this world where dragon-hunting is the norm, one man joins the crew of a ship that flies through the Cloudmere on a very specific mission—the pursuit and capture of a dragon known as the “Firstborn Gargantuan.” The captain’s rage-driven quest echoes that depicted in Moby-Dick, only dragons are, well, more terrifying than whales…

Also out in February is a novel by Intan Paramaditha entitled The Wandering (tr Stephen J. Epstein). Paramaditha’s previous book, the collection Apple and Knife (2018), was inspired by horror, myth, and fairy tales. The Wandering, too, brings together multiple subgenres in a story about what it means to wander the globe. When an English teacher in Jakarta seeks escape from a boring life, their wishes are granted in a pact with a devil, who gives them a pair of red shoes that will take them anywhere they’d like to go. But there’s a warning attached to this gift…

So far, March is only bringing us a single work of SFT, but it sounds excellent. That We May Live: Speculative Chinese Fiction (tr Jeremy Tiang and Natascha Bruce) expands the availability of Chinese SFT by offering us fantastic and phantasmagorical tales involving people living in giant mushrooms, twisted desires, and mysterious beverages. With stories by Dorothy Tse, Enoch Tam, Zhu Hui, Chan Chi Wa, Chen Si-an, and Yan Ge, That We May Live promises to enthrall.

In terms of short fiction, so far we’ve gotten stories about a woman absorbing alternate dimension versions of herself (“The Perfect Sail” by I-Hyeong Yun, tr from the Korean by Elisa Sinn and Justin Howe, Clarkesworld), a father inspiring his son to bring an ancient art into the future via virtual reality (“The Ancestral Temple” by Chen Qiufan, tr from the Chinese by Emily Jin, Clarkesworld), and a woman seeing her reflection in a subway window…but it isn’t hers (“The Other Woman” by Bibiana Camacho, tr from the Spanish by Cecilia Weddell, World Literature Today).

With such an excitingly diverse array of themes, source-languages, and sub-genres, 2020 is looking like another excellent year for SFT.

Thanks for reading, and I’d love to hear what you’re reading now and/or looking forward to: rachel@sfintranslation.com.

Until next time in the SFT Universe!

From the Vice President

⮌ SFRA Review, vol. 50, no. 1

From the SFRA Executive Committee

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From the Vice President

Sonja Fritzsche
Michigan State University

It is out! Check out the call for papers for the SFRA 2020 conference at Indiana University in Bloomington, Indiana. The theme is Forms of Fabulation. Questions and abstract submissions should be sent by March 15, 2020 to SFRA2020IU@gmail.com. See the website for any questions concerning the conference, logistical or otherwise. You can also contact our intrepid conference hosts Rebekah Sheldon rsheldon@indiana.edu and De Witt Kilgore dkilgore@indiana.edu. Consider submitting a paper, or even better, organize a panel or a series of panels! Send in your abstracts!

Yes, IU will give society members a big Hoosier welcome from July 8-11, 2020 this summer! For those of you who have not spent time in this fair city, it is a beautiful drive between Indianapolis and B-town, only 1 hour south. It has developed a wonderful restaurant culture over the past twenty years. For you cycling buffs, the film Breaking Away was filmed here. The Memorial Union building is one of a kind in the center of a wooded campus and a winding river where many superior conversations on science fiction will be had! Make sure you take a walk and explore.

It is also exciting to say that SFRA has committed to a site for the 2021 conference at Seneca College in Toronto, Canada to be hosted by Graham Murphy. SFRA also has a location for the 2022 conference! This will be at the University of Oslo in Oslo, Norway generously to be hosted by Bodhisattva Chattopadhyay. Thanks to everyone who has committed to host in such exciting locations.

We have a growing list of country reps. For more information, select the “country reps” menu on the SFRA website. I’m going to organize a get-together for country reps who are able to attend the conference, so that we can touch base on strategies, initiatives, and other ways that the SFRA can support the reps and they can support each other and the science fiction network in their countries. If you are interested in being a representative, please contact me at sfritzsc9@msu.edu.

From the President

⮌ SFRA Review, vol. 50, no. 1

From the SFRA Executive Committee

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From the President

Gerry Canavan
Marquette University

It’s my pleasure to write my first SFRA President’s letter in the impossibly distant future of 2020, a number I don’t think I’ll ever get used to seeing as the actual year. I’ve been getting back up to speed on what’s been going on with the organization since my term as VP ended and I am looking forward to some truly great years for SFRA ahead, including our upcoming conferences in Bloomington, Toronto, and Oslo. Before anything else, a few thanks are in order: thanks to Keren Omry for serving as president for the last three years and serving as immediate past president for the next three, and thank you to Jenni Halpin for her absolutely indispensable service as SFRA secretary this last term. Thanks also to Pawel Frelik, whose improbably long term as immediate past president has now finally come to an end, to our great regret! While we’re at it, thanks to Sonja Fritzsche, Hugh Charles O’Connell, Katherine Bishop, and Sean Guynes, who I’m very excited to be working with on the executive committee the next few years.

I’d also like to thank Rebekah Sheldon, Graham Murphy, and Bodhisattva Chattopadhyay for all the work they have done, are doing, and will do over the next few years on behalf of the organization in hosting a conference. Having done it recently, I know it is no small thing! We are all very much in your debt.

Finally, I’d like to note the work done by Sean Guynes, Jeremy Brett, and Hal W. Hall to make the early years of the SFRA Review available digitally. With the help of the Cushing Library at Texas A&M, Hall’s personal collection of the first thirty issues of what was then called SFRA Newsletter is now available at the journal’s website. This is a terrific boon not only to our scholarship but to our organization’s understanding of its own history, so we are incredibly grateful for those who went above and beyond to make this happen.

It’s a very exciting time for SFRA, and I’m looking forward to working with you on our shared projects in the coming year. One thing we’ll be looking to do is continue to grow and internationalize the membership, as well as forge new connections and partnerships with adjacent disciplinary organizations. If you have ideas about ways we might accomplish that, or would be interested in serving as a local country rep, please, contact me! I’m also always open to any ideas that you may have about making SFRA a stronger and better scholarly organization; please, send me an email, anytime… Thanks all! See you in the next Review.

From the Editor

⮌ SFRA Review, vol. 50, no. 1

From the SFRA Review

From the Editor

Sean Guynes
Editor, SFRA Review

This issue brings with it a further few changes, the last for a while as we settle in to our newly redesigned and revamped era of the Review.

The winter 2020 issue welcomes two new reviews editors: Jeremy M. Carnes, as fiction reviews editor, and Megan N. Fontenot, as fiction reviews assistant editor.

The second change is superficial but nonetheless an important signal of the Review’s standing in the SF research community: we have adopted a volume/number scheme, making the first issue of 2020 volume 50, number 1.

In addition to more than a dozen reviews of recent scholarship, fiction, and media, 50.1 features a symposium collecting papers from the day-long Medical Humanities and the Fantastic conference held at the University of Liverpool last July, compiled and edited by Beata Gubacsi.