Vol. 50, No. 4 (Fall 2020)




Table of Contents


FROM THE SFRA REVIEW

Namárië (From the Editor ) •  Sean Guynes


FROM THE SFRA EXECUTIVE COMMITTEE

From the President  •  Gerry Canavan

From the Vice President  •  Sonja Fritzsche


FEATURES

The Modern High Fantasy Novel was Born in France: An Essay on Reverse Literary History  •  Mariano Martín Rodríguez

The SF in Translation Universe #9  •  Rachel Cordasco 

Meet the Future: An Interview with Nichole Nomura  •  Nichole Nomura

Introducing the 2020-2021 Support a Scholar Grant Recipient: Ida Yoshinaga  •  Ida Yoshinaga


SYMPOSIUM: THE CYBERPUNK CULTURE CONFERENCE

The CyberPunk Culture Conference  •  Lars Schmeink

The Horror of Direct Experience: Cyberpunk Bodies and “The Machine Stops”  •  Rachel Berger

Fabulation of Alternative Parallel Universes: Queertopia in Turkish Science Fiction  •  Sümeyra Buran

The Fractal Subject and the Hologram Rose: On Baudrillard & Cyberpunk as Media Theory  •  Jiré Emine Gözen

Cyberpunk in the Modern Museum. Actuality, Future and the Challenges of Exhibiting Movie Memorabilia  •  Agnieszka Kiejziewicz

Ontology of the Hologram: Gothic Tropes and the Ontological Transgressions of Technoscience  •  Anastasia Klimchynskaya

“The (Cyber) Center Cannot Hold”: Futures, Bodies and Minds in William Gibson’s The Peripheral  •  Carmen M. Méndez-García

Pants Scientists and Bona Fide Cyber Ninjas: Tracing the Poetics of Cyberpunk Menswear  •  Esko Suoranta


SYMPOSIUM: EUROPEAN SPECULATIVE FICTION AND THE POLITICAL

Introducing the Symposium on European Speculative Fiction and the Political  •  Sabrina Mittermeier and Ashumi Shah

Unheard Voices: The Time Travelling Woman as Writer of History  •  Amanda Dillon

The Problem with Prequels: Revising Canon is an Exercise in Authorial Control and Navigating Fandom Politics in Fantastic Beasts and Where to Find Them and The Ballad of Songbirds and Snakes  •  Samantha Lehman

“Just as Orwell said”: The Emergence of a “Dystopian Framing” in French Conservative Media in the 2010s  •  Aurélie Olivesi and Zoé Kergomard

Black Mirror Prosumers and the Contemporary Domain  •  Ashumi Shah

Architectural Responses in Alternative Realities: the Politics of Space through Fiction in Architectural Education  •  Phevos Kallitsis and Martin Andrews


NONFICTION REVIEWS

Review of Publishing the Science Fiction Canon: The Case of Scientific Romance  •  James Allard

Review of Posthuman Folklore  •  Peter Cullen Bryan

Review of None of This Is Normal: The Fiction of Jeff VanderMeer  •  Thomas Connolly

Review of Other Worlds: Spirituality and the Search for Invisible Dimensions  •  Aga J. Drenda

Review of Transformative Heroines in Young Adult Dystopian Literature  •  Kelly J. Drumright

Review of “The Sweet and the Bitter”: Death and Dying in J. R. R. Tolkien’s The Lord of the Rings  •  Dominick Grace

Review of Alternate Worlds: The Illustrated History of Science Fiction  •  Donald M. Hassler

Review of Desire and Empathy in Twentieth-Century Dystopian Fiction  •  Adam Heidebrink-Bruno

Review of Thrills Untapped: Neglected Horror, Science Fiction and Fantasy Films, 1928-1936  •  Michael Pitts

Review of Economic Science Fictions  •  Bruce Lindsley Rockwood


MEDIA REVIEWS

Review of Outer Wilds (2019, video game)  •  Jennifer Baker

Review of Devs, season 1 (2020, TV series)  •  Miguel Sebastián-Martín